Questions from 112263Book.com
1. Where were you when JFK was assassinated?
2. 11/22/63 is filled with historical research—it twins real events with events and characters from King’s imagination. Did you learn anything surprising about the actual events leading up to the Kennedy assassination while reading this novel?
3. Our hero Jake Epping goes on an epic journey to try to prevent Kennedy’s assassination. Why choose this watershed moment in American history rather than any other moment? Would you choose a different moment, and if so, when?
4. Many great books, TV shows and movies have investigated the idea of time travel. Do you have any particular favorite books or films that explore this?
5. When Jake lives in 1960s small town Texas, he meets some of the most important people in his life, including the lanky, lovely librarian Sadie. Why is Jake drawn to her? And why is she drawn to him? How does their relationship change over the course of the novel?
6. What is the role of romance in this book? Some reviewers of 11/22/63 cited King’s optimism about love—after reading 11/22/63, do you agree?
7. Jake (or rather George) has to spend a lot of time in Dallas, which he experiences as a malevolent place. Jodie, on the other hand, is everything idyllic small town America should be. Do you believe that certain places are evil at certain times?
8. 11/22/63 gives readers an opportunity to immerse themselves in the past, in all its casual cigarette smoking glory—the music, food, language, cars, and dancing. What are your favorite things about the 50s and 60s King creates in 11/22/63? And least favorite?
9. Do you believe in the butterfly effect/chaos theory?
10. If you could pick any other period in history that you could go back to, which would it be?
11. Conspiracy theories abound, and numerous books have been written on the subject of the Kennedy assassination. In his afterword, King concludes (as Jake does in the book) that Lee Harvey Oswald was the lone gunman, a disturbed and grandiose man who altered world history forever all on his own. Do you agree?
Questions from Litlovers.com
1. How would you describe Jake Epping—what kind of man is he? How does his ex-wife see him? How do others see him. How do you see him?
2. Why does Jake agree to go back in time—what are his reasons? At this stage in your own life, would you be willing to travel back to the past? What conditions would you require to do so?
2. Why does King inject the Derry, Maine, subplot into the main plot? Is the Dunning episode necessary to the story—or does it drag down the novel's pace?
3. Describe the world of 1958 in which 2011 Jake finds himself. What is appealing about the era...and what is unappealing?
4. Once in Texas, what does Jake, now George Amberson, come to learn about Lee Harvey Oswald? What kind of character is Oswald? When Oswald arrives on the scene, why doesn't Jake/George just take him out? Why does he delay?
5. Follow-up to Question 4: What makes Jake/George (and the author) conclude that Oswald acted alone? Do you think he did? Have you done any previous reading/research that suggests Oswald was not a lone gunman? (see LitLovers review of Conspiracy by Anthony Summers.)
6. Jake/George has come to believe that life is not random:
Coincidences happen, but I’ve come to believe they are actually quite rare. Something is at work, O.K.? Somewhere in the universe (or behind it), a great machine is ticking and turning its fabulous gears.
What does Jake/George mean? Do you believe in a "great machine," an over-arching fate, or God who oversees and intervenes in our lives. Do "things happen for a reason"? What are your thoughts?
7. What is the nature of time as presented in 11/22/63? Consider the following:
• Time doesn't want to be changed: time is "obdurate." Why?
• Harmonies crop up, similarities in names and events. Why?
• The butterfly effect—what is it?
• The Yellow Card Man—is he a sentinel?
• Time is like a string; changing events tangles the strings.
8. Follow-up to Question 7: What does the novel, ultimately, seem to suggest about the hiuman desire to alter the past?
9. Follow-up to Questions 7 & 8: How does the novel present the notion of history? Is history shaped by individuals whose actions, discoveries, and intentions alter the course of events? Or is history created by the interconnectedness of a multitude of events, generated by forces bigger than any single individual?
10. King has a talent for taking supernatural events and locating them in everyday, mundane settings. How does he do that in 11/22/63? Does he pull it off...or does he falter?
11. 14. Why does Sadie sense that there's something odd about Jake/George? What are some of the ways that George's knowledge of the future betray him? Why does he withhold the truth from Sadie for so long? How would you react if someone told you he/she came from the future?
12. How would you classify this book? Historical fiction? Science fiction? Alternate history? Romance? Thriller? Realism? Is it suspenseful—did you find yourself rushing to turn the page? Were you expecting George to succeed—or fail—in his mission?
13. SPOILER ALERT: Talk about Jake/George's decision to return to 2011. Why does he make the choice he does? Do you wish he had chosen differently?
14. SPOILER ALERT: Talk about the dystopian world Jake returns to in 2011. What were the series of events that led up to the conditions he finds?
15. If you've read other Stephen King books, or seen the movies, how does this book compare with his others? Has he jumped his usual genre...or expanded it? Does that fact that King's normal genre is fantasy-horror make him especially equipped as an author to write a book like 11/22/63?