The Handmaid’s Tale

The Handmaid’s Tale

The Handmaid's Tale

Margaret Atwood

Pages: 311 pages / Audiobook: 11 hrs
Published March 16th 1998 by Anchor Books (first published 1985)

The Handmaid's Tale is not only a radical and brilliant departure for Margaret Atwood, it is a novel of such power that the reader will be unable to forget its images and its forecast. Set in the near future, it describes life in what was once the United States, now called the Republic of Gilead, a monotheocracy that has reacted to social unrest and a sharply declining birthrate by reverting to, and going beyond, the repressive intolerance of the original Puritans. The regime takes the Book of Genesis absolutely at its word, with bizarre consequences for the women and men of its population.
The story is told through the eyes of Offred, one of the unfortunate Handmaids under the new social order. In condensed but eloquent prose, by turns cool-eyed, tender, despairing, passionate, and wry, she reveals to us the dark corners behind the establishment's calm facade, as certain tendencies now in existence are carried to their logical conclusions. The Handmaid's Tale is funny, unexpected, horrifying, and altogether convincing. It is at once scathing satire, dire warning, and tour de force. It is Margaret Atwood at her best.


Happy Reading!

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The Art of Racing in the Rain

The Art of Racing in the Rain

The Art of Racing in the Rain

Garth Stein

Pages: 321 / Audio book: 6 hrs 56 min
Published May 13th 2008 by Harper Collins (first published June 1st 2006)

Enzo knows he is different from other dogs: a philosopher with a nearly human soul (and an obsession with opposable thumbs), he has educated himself by watching television extensively, and by listening very closely to the words of his master, Denny Swift, an up-and-coming race car driver.
Through Denny, Enzo has gained tremendous insight into the human condition, and he sees that life, like racing, isn't simply about going fast. Using the techniques needed on the race track, one can successfully navigate all of life's ordeals.

On the eve of his death, Enzo takes stock of his life, recalling all that he and his family have been through: the sacrifices Denny has made to succeed professionally; the unexpected loss of Eve, Denny's wife; the three-year battle over their daughter, Zoe, whose maternal grandparents pulled every string to gain custody. In the end, despite what he sees as his own limitations, Enzo comes through heroically to preserve the Swift family, holding in his heart the dream that Denny will become a racing champion with Zoe at his side. Having learned what it takes to be a compassionate and successful person, the wise canine can barely wait until his next lifetime, when he is sure he will return as a man.

A heart-wrenching but deeply funny and ultimately uplifting story of family, love, loyalty, and hope, The Art of Racing in the Rain is a beautifully crafted and captivating look at the wonders and absurdities of human life...as only a dog could tell it.


Novel Gobblers Perspective

Carol's Rating:  ★★★★★

This is an unputdownable story that will touch your heart and your funny bone.  It somewhat reminded me of Tuesdays with Morrie by Mitch Albom in that it is full of love, compassion, wit, wisdom, and inspiration.  Read it, you'll be glad you did.

 

About the Author

Source: Wikipedia

garth_stein_1111_1-199x300Garth Stein was born in Los Angeles on December 6, 1964, but spent most of his childhood growing up in Seattle. His father, a Brooklyn native, was the child of Austrian Jewish immigrants, while Stein's Alaskan mother comes from Tlingit and Irish descent. Stein later revisited his Tlingit heritage in his first novel, Raven Stole the Moon.

Stein earned a B.A. from Columbia College of Columbia University (1987) and a Master of Fine Arts degree in film from the University's School of the Arts (1990).

Stein has worked as a director, producer and/or writer of documentary films, several of which won awards. In 1991, he co-produced an Academy Award winning short film,The Lunch Date. He then co-produced The Last Party, a film commentating on the 1992 Democratic National Convention. Stein also produced and directed a documentary about his sister's brain surgery, entitled When Your Head's Not a Head, It's a Nut.

After films, Stein took up creative writing. At one time, he taught creative writing at Tacoma School of the Arts. His published works include three books and two plays.Brother Jones, his first play, was produced in Los Angeles, California in 2005. Garth wrote another play (No One Calls Me Mutt Anymore, 2010) for the theatrical department at his alma mater, Shorewood High School in Shoreline, WA.

Stein was born in Los Angeles, grew up in Seattle, and after spending 18 years in New York City, returned to Seattle where he lives with his wife, Andrea Perlbinder Stein, sons Caleb, Eamon and Dashiell — and the family dog, Comet, a lab/poodle mix. When living in New York, played in a rock band, called Zero Band, that rehearsed but rarely performed.

Interviews, Quotes & More

Garth Stein discusses his novel The Art of Racing in the Rain, a heart-wrenching but deeply funny and ultimately uplifting story of family, love, loyalty, and hope, The Art of Racing in the Rain is a beautifully crafted and captivating look at the wonders and absurdities of human life . . . as only a dog could tell it.

 

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Favorite Enzo Quotes

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"...that which we manifest is before us; we are the creators of our own destiny. Be it through intention or ignorance, our successes and our failure have been brought on by none other than ourselves."

"Racing is about discipline and intelligence, not about who has the heavier foot. The one who drives smart will always win in the end."

 

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Banned Seattle author defends ‘Art of Racing in the Rain’

BY JOSH KERNS, KIRO Radio Reporter | September 26, 2014 @ 1:37 pm

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Seattle author Garth Stein defends his book "The Art of Racing in the Rain" after it was banned by a Texas high school in an interview with KIRO Radio's Jason Rantz. (Photo courtesy Garth Stein)

listenButtonListen to the interview

Seattle author Garth Stein has a new distinction to add to his resume: his best selling book “The Art of Racing in the Rain” has been banned by a Texas high school.

Stein’s acclaimed novel tells the story of an aspiring Seattle race car driver and mechanic struggling with the death of his wife through the eyes of his dog Enzo, who’s convinced he’ll be reincarnated as a human.

“It’s about perseverance, it’s about self reliance and it’s really about how to lead a good life,” Stein tells KIRO Radio’s Jason Rantz.

But some parents at Dallas’ Highland Park High School objected to some sexual themes and subject matter. In one section, the driver is falsely accused of sexual molestation by an underage girl who tries to force herself on him.

After a heated school board meeting, the school board ordered the 10th grade English class to stop reading the book, along with six other books considered objectionable, The Dallas Morning News reports.

Stein defends the book, and teaching it to 10th graders, saying even the controversial subject matter was “taken quite seriously and with gravitas.”

“Things do happen in this world that are inappropriate and people get themselves into situations where mistakes are made and things are compromised,” he says.

“I think in 10th grade, it’s time to be able to have these discussions about adult subject matter and I think it’s important to do so in a responsible and thoughtful way.”

Stein says he respects the rights of parents to raise concerns about potentially objectionable content. But he’s concerned the parents in Texas didn’t actually read the whole book.

“I think that somebody pulled out a passage and said look at this and then they passed it around and a bunch of people signed their names to it,” he says.

Stein says he believes in the value of a teacher guiding discussions of challenging or controversial subject matter, but says parents should be involved as well.

“I think the objective is to raise the awareness by having a discussion about these things rather than by suppressing the discussion.”

Stein’s book will be reviewed by a committee of parents, teachers and students. The superintendent of schools there says the process could take several months.

Stein questions the way the situation was handled, although he believes both the parents and teachers involved have the best interests of students in mind.

“They should be teaching their students to raise those objections themselves,” he says of potential concerns. “Maybe what’s going on now will lead to schools evaluating how they choose their curriculum, how the community participates in the choosing of that curriculum.”

He’s hopeful that doesn’t include banning books.

Discussion Questions

Everyone in our reading group enjoyed this book and the lively discussion. Donna hosted our meeting and prepared a wonderful meal that included Squash Soup and Apple Dumplings.  To top it off, she cleverly printed our discussion questions on dogbone-shaped slips of paper. Woof!

 

Source: Once a Month Book Club

Many online sources — Reading Group Guides, Harper Collins, the books publisher, and others — have shamelessly plagiarized one another’s reading guide questions. Here they are, in all their commonality :Some early readers of the novel have observed that viewing the world through a dog’s eyes makes for a greater appreciation of being human. Why do you think this is?

  1. Enzo’s observations throughout the novel provide insight into his world view. For example:
    • “The visible becomes inevitable.”
    • “Understanding the truth is simple. Allowing oneself to experience it, is often terrifically difficult.”
    • “No race has ever been won in the first corner; many races have been lost there.”
    • How does his philosophy apply to real life?
  2. In the book’s darkest moments, one of Zoe’s stuffed animals — the zebra — comes to life and threatens him. What does the zebra symbolize?
  3. Can you imagine the novel being told from Denny’s point of view? How would it make the story different?
  4. In the first chapter, Enzo says: “It’s what’s inside that’s important. The soul. And my soul is very human.” How does Enzo’s situation — a human soul trapped in a dog’s body — influence his opinions about what he sees around him? How do you feel about the ideas of reincarnation and karma as Enzo defines them?
  5. Do you find yourself looking at your own dog differently after reading this novel?
  6. In the book, we get glimpses into the mindset and mentality of a race car driver. What parallels can you think of between the art of racing and the art of living?
  7. The character of Ayrton Senna, as he is presented in the book, is heroic, almost a mythic figure. Why do you think this character resonates so strongly for Denny?

OTHER DISCUSSION GUIDE QUESTIONS

A deeper plunge of the Internet provides more unique discussion guide questions. The blog Read to Enrich offers these for discussion:

  1. What was your favorite scene in the novel?
  2. Did you like the technique of making Enzo be the narrator?  Would the story have worked if the narrator was one of the humans?
  3. Do you think dogs or other animals can really understand humans and have the desire to communicate with them?
  4. Discuss Enzo’s more human characteristics:
    • His feelings after Eve died (and his animal reaction of chasing and eating the squirrel ) [page 165]
    • Advising people to learn to listen (page 102)
  5. Can dogs and other animals sense things that humans cannot?  Enzo smelled Eve’s cancer well before anyone made a diagnosis.
  6. What did you think of Enzo’s description of communication, “…there are so many moving parts.  There’s presentation and there’s interpretation and they’re so dependent on each other it makes things very difficult.”  (page 5) Was this a good analysis?
  7. What did you think about Enzo’s analysis of his death?  He said about Denny, “He needs me to free him to be brilliant.”  (page 5)
  8. The author wrote, “A true hero is flawed.  The true test of a champion is not whether he can triumph, but whether he can overcome obstacles – preferably of his own making – in order to triumph.”  (page 135)  Do you agree?  What do you think about the obstacles “being of his own making?”  Can you name anyone who you think is a hero?  Does he or she fit this description?
  9. About a champion, he wrote “It makes one realize that the physicality of our world is a boundary to us only if our will is weak; a true champion can accomplish things that a normal person would think impossible.”  (page 65)  Do you agree?
  10. One of Denny’s favorite statements was “…that which we manifest is before us.”  (page 43)  What did he mean?  Do you agree?
  11. The author stated that women and dogs feel pain the same (“tap directly into the pain” page 62) whereas men “are all filters and deflectors and timed release.”  (page 63)  Is this an accurate description?  Do you think there is a difference in how men, women and dogs experience pain?
  12. Regarding the evil zebra, at the end Enzo realizes that the zebra is,“not something outside of us.  The zebra is something inside of us.  Our fears.  Our own self-destructive nature.  The zebra is the worst part of us when we are face-to-face with our worst times.  The demon is us!”  (page 264)  Do you agree?  Can you think of any examples from other books you have read where the characters were their own worst enemies?
  13. There were many comments in the book about life in general.  What comparisons were made between driving a race car and life?  Can you add others?
 
Happy Reading!

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The Sun Also Rises

The Sun Also Rises

The Sun Also Rises

Ernest Hemingway

Pages: 256 / Audiobook: 7 hrs 46 min
Published 2006 by Scribner (first published 1926)

The quintessential novel of the Lost Generation, The Sun Also Rises is one of Ernest Hemingway's masterpieces and a classic example of his spare but powerful writing style. A poignant look at the disillusionment and angst of the post-World War I generation, the novel introduces two of Hemingway's most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. It is an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions. First published in 1926, The Sun Also Rises helped to establish Hemingway as one of the greatest writers of the twentieth century.


Novel Gobblers Perspective

Carol's Rating:  ★★★★

So This Is Hemingway...

This was my first Hemingway book and I was engaged from the start.
I was amused by the characters, often disturbed by their behavior, and slightly confused that there didn't seem to be a plot to the story. There were no specific descriptions regarding the physical appearance yet the animated conversations gave a real sense of the characters personalities - flighty, self-absorbed, and with no real purpose other than seeking out the next superficial experience, which usually took place at the next bar or cafe. The characters didn't grow into better people and they were ceaselessly drunk and rude.

Yet I could not stop reading it. Why did I like this book so much?

I loved Hemingway's writing style; he conveys so much in so few words. He gives powerful, short descriptions of surroundings and emotions. Even though the characters were rather awful people, I found their banter to be very entertaining. I particularly liked Bill and his discussions about "utilizing" things (often bottles of alcohol) and Brett, so dramatically stating things like, "Oh, please let's not talk about it" and yet she is the only one that continues to "talk about it". There is a lot of symbolism in the story that offers insight and depth to the otherwise aloof characters, but you have to pay attention to pick up on it. I didn't at first and thought the entire story was pretty shallow. Then in contemplation and discussion I began to understand the symbols and was taken aback at how clever Hemingway's writing was. In the end I loved the story and now realize why Hemingway is known as one of the greatest writers of the 20th century.

 

Catherine's Rating:  ★★★★

I was surprised to find that this book reminds me of Fitzgerald's "The Great Gatsby," although I suppose it shouldn't have because the two books were written at nearly the same time by men who were friends. You really get the feel of this "Lost Generation" not really sure of their place in the world. The spare details of the dialog always make you feel as if you walked in midway on a conversation of other people and missed the background and details -- but that is what makes the book more lifelike than many books that over-explain everything for you. With this novel, you really feel like you are sitting there with the characters as they truly are (which is drunk most of the time, so that was a bit tiresome).

About the Author

Ernest Hemingway

Source: www.nobelprize.org

Ernest Hemingway (1899-1961), born in Oak Park, Illinois, started his career as a writer in a newspaper office in Kansas City at the age of seventeen. After the United States entered the First World War, he joined a volunteer ambulance unit in the Italian army. Serving at the front, he was wounded, was decorated by the Italian Government, and spent considerable time in hospitals. After his return to the United States, he became a reporter for Canadian and American newspapers and was soon sent back to Europe to cover such events as the Greek Revolution.
 
During the twenties, Hemingway became a member of the group of expatriate Americans in Paris, which he described in his first important work, The Sun Also Rises (1926). Equally successful was A Farewell to Arms (1929), the study of an American ambulance officer's disillusionment in the war and his role as a deserter. Hemingway used his experiences as a reporter during the civil war in Spain as the background for his most ambitious novel, For Whom the Bell Tolls (1940). Among his later works, the most outstanding is the short novel, The Old Man and the Sea (1952), the story of an old fisherman's journey, his long and lonely struggle with a fish and the sea, and his victory in defeat.
 
Hemingway - himself a great sportsman - liked to portray soldiers, hunters, bullfighters - tough, at times primitive people whose courage and honesty are set against the brutal ways of modern society, and who in this confrontation lose hope and faith. His straightforward prose, his spare dialogue, and his predilection for understatement are particularly effective in his short stories, some of which are collected in Men Without Women (1927) and The Fifth Column and the First Forty-Nine Stories (1938). Hemingway died in Idaho in 1961.

Photos, Interviews, and More

EH 7976P  circa summer 1927  Ernest Hemingway with bull, near Pamplona, Spain. Photograph in the Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston.
EH 7976P circa summer 1927 Ernest Hemingway with bull, near Pamplona, Spain. Photograph in the Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston.

 

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Hemingway, Ernest: with Russell, Havana Harbor, 1932 Ernest Hemingway (right) with Joe Russell (raising a glass), an unidentified young man, and a marlin, Havana Harbor, 1932. Ernest Hemingway Photograph Collection/John F. Kennedy Presidential Library

 

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Hemingway, Ernest: in Malaga, Spain, 1959 Ernest Hemingway at La Consula, an estate in Malaga, Spain, 1959. Mary Hemingway—Ernest Hemingway Photograph Collection/John F. Kennedy Presidential Library
 
EH 2723P  Milan, 1918 Ernest Hemingway, American Red Cross volunteer. Portrait by Ermeni Studios, Milan, Italy. Please credit "Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston".
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Ernest Hemingway, American Red Cross volunteer. Portrait by Ermeni Studios, Milan, Italy. Ernest Hemingway Photograph Collection, John F. Kennedy Presidential Library and Museum, Boston

 

 

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Hemingway celebrating at the festival of San Fermín in Plamplona, 1959

 

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'Everybody Behaves Badly': The Backstory To 'The Sun Also Rises'

NPR.org | June 4, 20167:46 AM ET

The true story of Ernest Hemingway's The Sun Also Rises is told in Lesley Blume's book, Everybody Behaves Badly. She talks to NPR's Scott Simon about what made Hemingway's book such a breakthrough.

Earnest Hemingway's "The Sun Also Rises" has never been out of print since it was published in 1926 and is universally acclaimed a masterpiece. A few Americans and British ex-pats take a trip to Spain to see the bullfights. They spend the road trip getting drunk, seeing pointless gore, sleeping with and turning on each other to become symbols of what Hemingway's friend Gertrude Stein christened the lost generation that found no meaning in life after the mass losses of World War I.

It's the novel that made Ernest Hemingway a huge literary force, admired, mocked and imitated to this day. But the characters he brought to life were already alive - people close to Hemingway who made that trip to Spain just the year before. Lesley M. M. Blume, a contributor to Vanity Fair, Vogue and The Wall Street Journal, has written the story of the actual trip that led to the literary one - "Everybody Behaves Badly: The True Story Behind Hemingway's Masterpiece The Sun Also Rises."

Listen to the Interview or Get the Transcript

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The True Story of the Booze, Bullfights, and Brawls That Inspired Ernest Hemingway’s The Sun Also Rises

Ernest Hemingway’s debut novel gave a voice to the Lost Generation—often by lifting it directly from his affluent expat circle in post-war Paris. A new book by Lesley M. M. Blume recounts the scandalous trip to Pamplona that inspired Jake Barnes, Lady Brett Ashley, Robert Cohn, and the characters from literature’s greatest roman à clef.

BY LESLEY M. M. BLUME | VANITY FAIR | MAY 12, 2016 3:00 PM

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Hemingway’s 1923 passport photo. Courtesy of the Ernest Hemingway Collection, John F. Kennedy Presidential Library and Museum, Boston.

In the middle of June 1925, Ernest Hemingway sat down to write. He pulled out a stenographer’s notebook, otherwise used for list-making. The back contained a rundown of letters he “must write”; intended recipients included Ezra Pound—a mentor of his—and his Aunt Grace. Also scribbled there: a list of stories the 25-year-old writer, who had moved to Paris in 1921, had recently submitted to various publications. On this day, he opened the notebook to a fresh page and scrawled in pencil across the top:

ALONG WITH YOUTH
A NOVEL

began writing a sea adventure, set on a troop transport ship in 1918 and featuring a character named Nick Adams. Exactly two months earlier, Hemingway had informed Maxwell Perkins, an editor at Charles Scribner’s Sons, the prestigious publishing house in New York City, that he considered the novel to be an artificial and played-out genre. (Perkins had heard through the grapevine that Hemingway was doing some remarkable writing.) Yet here he was, making a bid to jump-start one.

It was not his first attempt. Hemingway’s literary ambition at this time was seemingly limitless—yet he was still a frustrated nobody as far as the wider public was concerned. He had long been trying to sell his experimental stories to publishers back in the States, with no success. F. Scott Fitzgerald—then the celebrated oracle of the Jazz Age and the friend who had been championing Hemingway to Perkins at Scribner’s—published practically everywhere, but no commercial publication or publisher would touch Hemingway. So far, he’d managed to place stories with small literary magazines; his first book, Three Stories & Ten Poems, was published in 1923 in a run of merely 300 copies. When Hemingway’s second book, In Our Time, appeared in 1924, only 170 copies were available for sale.

“I knew I would have to write a novel,” he later recalled. After all, this is what Fitzgerald had done. Before Fitzgerald had published his debut novel, This Side of Paradise, in 1920, he too had been a regular in the slush pile. After Perkins brought out This Side of Paradisewith Scribner’s, Fitzgerald remembered later, “editors and publishers were open to me, impresarios begged plays, the movies panted for screen material.” This was precisely the sort of success that Hemingway craved, and a blockbuster novel was key.

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HEMINGWAY’S HIDDEN METAFICTIONS

By Ian Crouch | New Yorker

Ernest Hemingway’s “The Sun Also Rises” was almost called something else.

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Early title contenders were “Fiesta: A Novel” (as the book was subsequently known in England), “Two Lie Together,” and even “For in much wisdom is much grief and he that increases knowledge increases sorrow”—a line that, like the winning candidate, comes from Ecclesiastes, and that, it is safe to assume, Hemingway might have abridged further if he’d used it. The evidence for these alternatives comes from early notes and manuscripts, which are included in a new edition of the novel, published this month.

There are signs of other felicitous decisions. The real-life socialite Lady Duff Twysden was given a better name, Brett Ashley. Maudlin dialogue was struck, as when the ill-starred Brett says to Jake Barnes, the narrator, “I love you and I’ll love you always.” (In the finished text, lines like “Well, let’s shut up about it” are more in the spirit of their unconsummated affair.) And Hemingway settled on a perfect final line. After Brett says, “Oh Jake . . . we could have had such a damned good time together,” the author at first had Jake respond, “It’s nice as hell to think so,” but later scribbled “Isn’t it nice to think so.” By the time the manuscript went to the printer, it had been altered again, to the sharp and sad and perfectly balanced “Isn’t it pretty to think so?”

Early drafts of the book are well known to scholars, and are available at the Hemingway Collection, at the John F. Kennedy Presidential Library and Museum, in Boston. But this new edition puts them in handy appendices, giving us lay readers a sense of Hemingway’s writing process, and, more importantly, of how different a novel “The Sun Also Rises” might have been. 

All of Hemingway’s major changes to his manuscript move it toward a greater simplicity. In early drafts, the novel began in the middle of the story, at the bullfights during the festival of San Fermín, in Pamplona. Later, Hemingway opted for a more straightforward, chronological order, introducing the American expats Jake, Brett, and Robert Cohn in Paris, before they travel to Spain. In the manuscript that he sent to his editor at Scribner, Maxwell Perkins, the first two chapters detailed the characters’ histories and motivations. “This is a novel about a lady,” it began:

Her name is Lady Ashley and when the story begins she is living in Paris and it is Spring. That should be a good setting for a romantic but highly moral story. As everyone knows, Paris is a very romantic place. Spring in Paris is a very happy and romantic time. Autumn in Paris, although very beautiful, might give a note of sadness or melancholy that we shall try to keep out of this story.

It is diverting to consider how the novel would have been different if Brett were indeed the main character and the heroine—if it really were a story about a lady, rather than about the various men who loved her, or couldn’t. But more intriguing still is the second part of the opening, in which Hemingway breaks into the narrative to address the reader directly, and, in so doing, calls out the artifice implicit in the writing and reading of fiction. It is a wink at the marketplace—readers want lively, lighthearted tales from abroad—and alludes to the novel’s central dark, repeated joke: that everything awful in life, in all of its sadness and melancholy, is better laughed at.

Later, in another section that was cut, Hemingway writes:

I did not want to tell this story in the first person, but I find that I must. I wanted to stay well outside of the story so that I would not be touched by it in any way, and handle all the people in it with that irony and pity that are so essential to good writing.

Jake Barnes was named Hem in the early drafts, and in the version he sent to his editor, Hemingway retained the conceit that the book was not merely based on his real-life experiences but was actually a memoir: “I made the unfortunate mistake, for a writer, of first having been Mr. Jake Barnes.”

All of this was cut at the suggestion of F. Scott Fitzgerald, who, after reading the version that Hemingway had sent to Perkins, wrote a long, dismayed-sounding letter to Hemingway, in which he said, “I think that there are about 24 sneers, superiorities, and nose-thumbings-at-nothing that mar the whole narrative up to P. 29 where (after a false start on the introduction of Cohn) it really gets going.” Though Hemingway would later downplay Fitzgerald’s editorial influence, the published novel begins with the sentence: “Robert Cohn was once middleweight boxing champion of Princeton.”

In the letter, Fitzgerald also criticized Hemingway for injecting his own writerly persona into the text: “That biography from you, who allways believed in the superiority (the preferability) of the imagined to the seen not to say to the merelyrecounted.” With this fragment of a sentence, Fitzgerald gives Hemingway the familiar writing-class advice—show, don’t tell; less is more; and what is left out can sometimes be more meaningful than what is included. Earlier versions of the novel contained even more of this “biography”; Fitzgerald had caught the remnants of nervous self-consciousness that Hemingway himself had curtailed as he wrote.

There are several striking examples, in the drafts, of this uneasiness. After a digression about a washed-up but popular bullfighter, Hemingway writes: “Well none of that has anything to do with the story and I suppose you think there isn’t any story anyway but it sort of moves along in time and anyway there is a lot of dope about high society in it and that is always interesting.” Later, after describing the habits of his social set: “I don’t know why I have to put all this down. It may mix up the story but I wanted to show you what a fine crowd we were.” These moments, which did not survive the editing process, have a superficial confidence, an edgy bravado, but they are also anxious, the sign of a writer trying to figure out where his voice fits in among those of his characters.

The meatiest example of this kind of curious metafiction is in the second chapter of the novel’s first draft. Hemingway writes:

Probably any amount of this does not seem to have anything to do with the story and perhaps it has not. I am sick of those ones with their clear restrained writing and I am going to try to get in the whole business and to do that there has to be things that seem as though they did had nothing to do with it just as in life. In life people are not conscious of these special moments that novelists build their whole structures on. That is most people are not. That surely has nothing to do with the story but you can not tell until you finish it because none of the significant things are going to have any literary signs marking them. You have to figure them out for yourself.

At the start, it seems, Hemingway was attempting to write a novel very different from what would become “The Sun Also Rises,” which made his name as one of “those ones with their clear restrained writing.” He imagined a book in which the “whole business” of life gets expressed, in all of its messy detours and associations. In the same draft chapter, Hemingway goes on: “Now when my friends read this they will say it is awful. It is not what they had hoped or expected from me. Gertrude Stein once told me that remarks are not literature. All right, let it go at that. Only this time all the remarks are going in and if it is not literature who claimed it was anyway.”

This minor manifesto, embedded in a draft of his first novel, conceives of a book with greater intellectual and artistic ambitions than Hemingway ever produced—one akin to the more abstract fictions of the modernists. The line that he struck through—“It is not what they had hoped or expected from me”—becomes a potentially radical departure that Hemingway never realized, and that was nearly lost to history. Yet “The Sun Also Rises” is far from being a lesser thing, for all of its restrained clarity. It is partly a book of “literary signs,” perhaps against Hemingway’s own intentions. But it is also a book—Gertrude Stein be damned—of remarks, both in the elliptical declarations that the characters make to one another, and in the weighted silences that linger between them. “I mistrust all frank and simple people, especially when their stories hold together.” That line, which belongs to the narrator, and to the author, was there from the beginning. It is an echo of Hemingway’s more eager and brash equivocations in the drafts, a claim that there was an unseen depth to his plainspoken prose. It is an author’s note, a statement of purpose—subtly and skillfully absorbed into the art of storytelling.

Ian Crouch is a contributing writer and producer for newyorker.com. He lives in Maine. ~

Book Club Mojo

Catherine hosted a fabulous dinner and book discussion. She and daughter, Sarah, had recently returned from their trip to Spain where they walked the 500 mile Camino de Santiago. She shared many of her experiences and prepared authentic recipes for us from her Pilgrim's Menu, a multi-course meal of Tinto de Verano (Red Wine of Summer), Tapas -- fried peppers, sliced baguette and Manchego cheese, Gazpacho, Roasted Chicken, Chips, Tarta de Santiago (Almond Cake), and Flan. The meal and exciting memories of their trip made for the perfect prelude to discussing The Sun Also Rises. It was a delicious evening all the way around and as DeeAnn said, "Catherine, you set the bar high!"

 

 

Discussion Questions

What title would you have given this book?

 

Source: Simon & Schuster

1. When Jake Barnes rebuffs the prostitute Georgette because he is "sick," she says, "Everybody's sick. I'm sick, too" (p.23). Is Georgette's observation an appropriate description of the people in the novel? Why is Jake's emasculating wound such an effective symbol?

2. When Jake and Bill walk during the Paris evening looking at Notre Dame, watching young lovers, and savoring cooking smells, Jake asks whether Bill would like a drink. Why does Bill respond, "No...I don't need it" (p. 83)? Why does Jake say that for Cohn the Bayonne cathedral was "a very good example of something or other" (p. 96)?

3. Is Jake and Bill's fishing trip to Burguete relevant to the epigraph from Ecclesiastes? How do their conversations in Burguete differ from those they have back in Pamplona? How do Robert's, Mike's, and Brett's absences from the fishing trip set them apart from Jake and Bill? Why is the Englishman Harris included in the Burguete scene?

4. How would you describe Jake Barnes's relationship with Brett? Does he love her; understand her? Is his view of Brett constant? How does he see her at the close of the novel? What does he mean when he says, "Isn't it pretty to think so," when Brett tells him that they "could have had such a damned good time together" (p. 251)?

5. If Hemingway's novel is about "the lost generation," do we conclude that all five of the persons who have gone to Pamplona are lost? Is there evidence that moral or spiritual cleansing ever takes place in the novel?

After Reading the Novel

It would be difficult to overstate the remarkable influence of The Sun Also Rises upon its millions of readers. Not only did Hemingway's novel influence our prose and our conduct, it introduced Paris and Pamplona to many of us and made them so real that when we visit them, we feel as if we are returning for a closer look rather than seeing them for the first time. Several guides to Hemingway's Paris, complete with maps, photographs, and walking tours are in print which would provide your group with an opportunity to follow Jake Barnes's footsteps down the little side street Rue Delambre at the intersection of the Boulevard Raspail and Montparnasse to the Dingo Bar, where Jake and Brett had drinks, and Ernest Hemingway met Scott Fitzgerald for the first time in the spring of 1925. Guidebooks will also lead you through narrow streets of Pamplona where the bulls run and along Paseo Hemingway to the bullring, where a bust of the famous writer stands, bearing a statement of gratitude to him from the people of Spain.

Bring on the tough stuff - there’s not just one right answer.

Source: Shmoop

1. In what ways are the male and female characters in the novel similar? How are they different? What might Hemingway be saying about sexuality and love in the post-war world?

2.Compare and contrast Cohn, Mike, and Jake. Consider their wartime experiences, relationships with women, etc. How are they similar? Different?

3.Is Brett a sympathetic character?

4.Is it possible to generalize about whether the characters that served in WWI (Jake, Bill, Mike, the Count, Brett) are different from Cohn, who did not?

5.How would The Sun Also Rises be similar or different if narrated by a character other than Jake? How would Cohn tell the story? Brett? Mike?

The Last of the Bandit Riders…Revisited

The Last of the Bandit Riders…Revisited

Last of the Bandit Riders ... Revisited

Matt Warner

Pages: 186
Published November 1st 2000 by Big Moon Traders

One of the classic biographies of a western outlaw, LAST OF THE BANDIT RIDERS has been reprinted in a large trade edition, with dozens of photographs, maps, newspaper accounts and letters added to the original text. The book features a letter written by Butch Cassidy and sent to Matt Warner along with three photographs in 1937, providing a convincing argument that Butch returned from South America and lived out his life in the United States.


Novel Gobblers Perspective

Carol's Rating:  ★★★★★

Marvelous True Tales of the Old West

I loved this book. It is full of photographs, letters, maps, documents, and exciting recollections of nostalgic times in the Old West. It reads like a collection of tall tales but they are confirmed true events in history.

A man who has had an outlaw past is never safe, no matter how straight he goes afterwards. That's the price he pays. Something out of his past life may raise up against him and wreck his life any time."

Willard Erastus Christiansen, alias Matt Warner, was born on April 12, 1864 in Price, Utah and gives us his personal account of living the outlaw life when horses were the major mode of transportation. He tells of:

  • his adventurous exploits from cattle rustling to robbing banks to train holdups and dynamiting safes with outlaw friends that include Butch Cassidy and Tom McCarty
  • near death brushes with the law
  • marriage and children and attempts to leave the outlaw life and how past wrong deeds follow a man, making it nearly impossible to lead an honest life
  • navigating a rapidly changing world that includes railroads and telegraphs; where money and lawyers can save your skin better than a jailbreak can
  • dealings with corrupt lawmen and honest lawmen and what it takes to reform a bandit
  • touching relationships inside and outside the law
  • what became of his outlaw friends and most particularly, that Butch Cassidy did not die in South America but returned to the USA and lived a long life
  • of keeping a vow to live an honest life and doing so for nearly 40 years as "one of the best Deputy Sheriffs, police officers, and Justices of the Peace Carbon County has ever known."

This is a rousing, extraordinary look at life on the wrong side of the law during the late 1800's that stretches from Utah to Colorado, New Mexico, Arizona, Nevada, Wyoming, Idaho, Montana, Oregon, and Washington. It is a marvelous piece of our regional history.

Historic Photos, Maps, and More

mattwarner-16

Willard Erastus Christianson, alias Matt Warner, age 16, 1880

 

butch

Robert LeRoy Parker, alias Butch Cassidy,  Parker was born 15 April 1866 in Beaver, Utah, and was raised by Mormon pioneer parents on a ranch near Circleville, Utah

 

mattwarnerprisoner

While they were charged with first-degree murder, Matt Warner and Bill Wall were convicted only of manslaughter

robbersroost

Robbers Roost was a popular outlaw hideout for over 30 years

 

vernal

Main Street of Vernal, Utah, c. 1900, several years after Matt Warner and Bill Wall were threatened with vigilante justice. To protect the prisoners, they were removed from jail and taken overland to Carter, where they boarded the westbound train. They were taken to Ogden, where they were tried for the killings.

mattwarnerstraight

From January 21, 1900, until his death on December 21, 1938, Matt Warner stayed within the bounds of the law.

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Discussion Questions

  1. What did you learn from reading this book?
  2. Was there anything that you found surprising?
  3. Was there something in the book that you related to?
  4. Were there specific passages that struck you as significant—or interesting, profound, amusing, illuminating, disturbing, sad…? What was memorable?
  5. What do you think Matt Warner's overall message was throughout this book?
  6. Do you believe that Butch Cassidy returned to the US and lived a long life?
  7. What happened to Matt Warner's first daughter, Hayda?
  8. Have you visited any of the areas along the Outlaw Trail?
  9. Would you recommend this book to others? Why?
Happy Reading!

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Big Stone Gap

Big Stone Gap

Big Stone Gap

Adriana Trigiani

Pages: 320 / Audio book: 11 hrs 25 min
Ballantine Books; 1st Thus. edition (April 3, 2001)

Nestled in the Blue Ridge Mountains of Virginia, the tiny town of Big Stone Gap is home to some of the most charming eccentrics in the state. Ave Maria Mulligan is the town's self-proclaimed spinster, a thirty-five year old pharmacist with a "mountain girl's body and a flat behind." She lives an amiable life with good friends and lots of hobbies until the fateful day in 1978 when she suddenly discovers that she's not who she always thought she was. Before she can blink, Ave's fielding marriage proposals, fighting off greedy family members, organizing a celebration for visiting celebrities, and planning the trip of a lifetime-a trip that could change her view of the world and her own place in it forever.


Novel Gobblers Perspective

Carol's Rating:  ★★★

The first time I heard of this book was when I saw the movie trailer. I love it when movies are made from books; it's fun to compare the differences and discover what I like or don't in each.  I found it to be a light, fun story and I enjoyed the quirky characters and small town setting. The story was a bit sappy and unrealistic at times and I tired of how wishy-washy the main character was but that is part of what makes her so lovable. As for the movie, well, this is one of the few times that I enjoyed the movie more than I did the book. If you don't take things too seriously, the characters and story will make you laugh and warm your heart. 

 

Official Movie Trailer

Released in 2015, Big Stone Gap is a romantic comedy with an All-Star cast including Ashley Judd, Patrick Wilson, and Whoopie Goldberg.

 

 

Happy Reading!

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The Heretic’s Daughter

The Heretic’s Daughter

The Heretic's Daughter

Kathleen Kent

Pages: 332 pages / Audio book: 10 hrs 6 min
Published September 3, 2008 by Little, Brown and Company

Martha Carrier was one of the first women to be accused, tried and hanged as a witch in Salem, Massachusetts. Like her mother, young Sarah Carrier is bright and willful, openly challenging the small, brutal world in which they live. Often at odds with one another, mother and daughter are forced to stand together against the escalating hysteria of the trials and the superstitious tyranny that led to the torture and imprisonment of more than 200 people accused of witchcraft. This is the story of Martha's courageous defiance and ultimate death, as told by the daughter who survived.

Kathleen Kent is a tenth generation descendant of Martha Carrier. She paints a haunting portrait, not just of Puritan New England, but also of one family's deep and abiding love in the face of fear and persecution.


Novel Gobblers Perspective

Carol's Rating:  ★★★

 
An Artful, Thought-Provoking Read

If you're looking for an alternative to WWII historical fiction and something that will stay with you for weeks after you've finished reading it, this might be the book for you. It will definitely make you thankful for medicine and life in the 21st century!

Kathleen Kent writes beautifully. The language is near poetic at times as it paints a vivid picture of 17th century life in Salem, Massachusetts. Mare Winingham lends a perfect voice to the audiobook and truly captures the character's emotions and personalities. Daily life itself is a struggle to provide food and shelter for the family let alone surviving diseases and even worse, being shunned by the community and imprisoned for false accusations of witchcraft. Much of the book is about the family members and their relationships. A stern mother, a father that rarely speaks, a brother that is mentally handicapped, a rift in the family between the parents and the aunt and uncle - the people are hard and their lives seem even harder. That is what stands out to me; that life was very difficult and there did not seem to be very much joy for any of them. They endured many hardships and were steadfastly devoted to their loved ones.

The story moves at a rather slow, determined pace, yet it held my attention from the start to the end. I found it astounding that gossip and slander was adequate proof for the law to imprison and sentence the accused to their deaths. I found it astounding that people could live with themselves, all the while knowing that they were directly responsible for inflicting such grief and devastation to others. I was astonished by the superstitious hysteria that swept through the region and the hypocrisy of it all when the accusers pleadingly turned to accused to ask for miracles. Yet in all my astonishment I am reminded, now well over 3 centuries later, with all our culture and education, that in many ways people have not changed that much. Though events and circumstances change, human nature remains the same.

Happy Reading!

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The Dig

The Dig

The Dig

Matt Turner Series Book 1

Michael Siemsen

Pages: 378 pages / Audio book: 10 hrs 31 min
Published September 1st 2015 by Fantome Publishing

A mysterious woven metal artifact is found at a paleontological dig in Africa. Mystified experts, confounded by the impossible timeline they get from traditional dating methods, call upon a stubborn young man with a unique talent. Matthew Turner's gift is also his curse: Whenever he touches an object, his awareness is flooded with the thoughts and feelings of those who touched it before him. It's a talent that many covet, some fear, and almost no one understands.

Despite being exploited as a child and tormented by the unpleasant experiences imprinted on him from the various items he has "read," Matthew agrees to travel from New York to the forests of Kenya. There, threatened by unknown enemies and helped by a beautiful but prickly ally who begins to understand his strange ability, he journeys back in geological time to make a discovery so shocking that it forces us to rewrite all human history.


Novel Gobblers Perspective

Carol's Rating:  ★★

The premise of this story is great; discovering ancient artifacts, unveiling ancient cultures, psychic powers, Africa, intrigue,  mystery, and excitement.  The story starts out well but to my disappointment, it and the characters turned out to be - well, it all turned out to be dreadfully flat. I had such high hopes for this book but the lack of depth and development left me rather unsatisfied.  

Happy Reading!

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Vulcan’s Forge

Vulcan’s Forge

Vulcan's Forge

Jack Du Brul

Pages: 372
Published December 6th 2005 by NAL (first published January 1st 1998)

It begins deep beneath the Pacific Ocean, where a nuclear bomb strikes at the fiery hot heart of the earth. Churning, spewing boiling lava, a volcano rises with unnatural speed from the ocean floor -- the source of a new mineral that promises clean, limitless nuclear power.
It continues in hot spots around the globe: Hawaii, where a secessionist movement is about to turn violent and the American army may be asked to fire on U.S. citizens; Washington, D.C., where the subway system becomes the site of a running gun battle; the Far East, where disrupted diplomatic negotiations jeopardize world peace; a rogue Russian submarine, circling the infant volcano.

Caught in the middle is Philip Mercer, a geologist and a one-time commando with shady contacts in all the right (or is it wrong?) places. When Mercer learns that the daughter of an old friend is being kept under armed guard in a local hospital, he vows to rescue her, not knowing that this is the first step in unraveling the fantastic secrets of Vulcan's Forge.


Novel Gobblers Perspective

Carol's Rating:  ★★★

 

Happy Reading!

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Carol’s Progress

Carol’s Progress

Carol's Book Nerd Challenge Progress

50 Books ~ 50 Categories ~ by December 17, 2016

IFPL tote

Because I seriously want to earn this nerdy green bag!

 

Challenge Categories (downloadable pdf)

 

1

Book Club in a Box

jonasJonasson

 5

A Biography

 9

A Book with a Continuing Character

13

A Book with Food in the Title

17

A YA/Adult Fiction Crossover

21

A Book Set in the Country of One of My Ancestors

2

Book About Best Friends

 6

By or About an Explorer

10

A Book about a Hobby

 
 
 
14

A Book Published Before 1850

18

A Book Set in this Region

22

About Someone with the Same Job as Me

3

Retelling of a Classic

7

With an Animal in the Title

11

A Book with a Mode of Transportation in the Title

15

A National Book Award Winner

19

A Sea Story

23

A Lion, Witch, or Wardrobe

4

A Book with a Blue Cover

 8

A Book of Historical Fiction

12

Written by Someone Over the Age of 65

16

A Book by an Author from Asia

20

A Non-Fiction Book

24

A Book About a Sport

Take a breath - we're halfway there....

25

A Time-Travel Book

29

A Book with a Heroine

33

A Guilty Pleasure

37

Recommended by a Librarian

bigstonegap41

Classic Children's Story

 45

Less Than 200 Pages

 49

A Novel in Verse

 
 26

A Book Set in Summer

30

A Science Fiction Book

34

A Book Your Dad Loves

38

Written by a Celebrity

 42

Written by an Idaho Author

46

Read it Again

50

A Book on How To Do Something

 

 27

A Book of Short Stories

 31

An Audio Book

 35

A Book Set in Africa

 39

A Banned Book

The Handmaid's Tale Book Cover

 43

A Book Set During A War

 47

Set During a Holiday

 

Challenge Met! That nerdy green bag is all mine!
 
28

An Alternative History Book

32

A Book Published This Year

36

An Event in American History

40

A Book I Own but Haven't Read

44

A Book Rory Gilmore Read

fahrenheit451

48

Non-Fiction with Pictures

The Marvels

The Marvels

The Marvels

Brian Selznick

Pages: 672
Published September 15th 2015 by Scholastic Press

From the Caldecott Medal-winning creator of The Invention of Hugo Cabret and Wonderstruck comes a breathtaking new voyage. In this magnificent reimagining of the form he originated, two stand-alone stories--the first in nearly 400 pages of continuous pictures, the second in prose--create a beguiling narrative puzzle.

The journey begins at sea in 1766, with a boy named Billy Marvel. After surviving a shipwreck, he finds work in a London theatre. There, his family flourishes for generations as brilliant actors until 1900, when young Leontes Marvel is banished from the stage. Nearly a century later, runaway Joseph Jervis seeks refuge with an uncle in London. Albert Nightingale's strange, beautiful house, with its mysterious portraits and ghostly presences, captivates Joseph and leads him on a search for clues about the house, his family, and the past.

A gripping adventure and an intriguing mystery The Marvels is a loving tribute to the power of story.


Novel Gobblers Perspective

Carol's Rating:  ★★★★

A Magical Jewel of a Book

The Marvels is an absolutely beautiful book all the way around. Its hefty 672 gilded pages felt like an indulgence the moment I picked it up. Then I opened it and the magic began. A majority of the book has no written words but instead, it has intricate sketches readily portraying emotions, plot, and scene of a story that spans 150 years and 5 generations of the Marvel family.

The sketches were my favorite part of the book. Through them you are transported to another time. I was completely captivated by the sketches and the emotions on the faces of the characters. It was a powerful, sentimental experience. So much so that now, even just seeing the book or thinking of it instantaneously evokes the experience again.

I admit the prose portion of the book was not as powerful as the sketches yet it was still intriguing and conjured detailed mental images. The story is easy to follow and the mystery surrounding the Uncle and his home will keep you wanting to know more. Plus, it unveils a surprising, unpredictable twist! True, it is a children’s book but that doesn’t mean it’s any less interesting. In fact, it made it much easier to read and engage with.

The Marvels is a magical jewel of a book for all ages. A wonderful personal read, it would also be a fantastic book to read with the family - leaving all members eager for more and treasuring the moments.

A Glimpse of What's Inside

Happy Reading!

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Shtum

Shtum

Shtum

Jem Lester

Pages: 313
Published April 7th 2016 by Orion

Powerful, darkly funny and heart-breaking, Shtum is a story about fathers and sons, autism, and dysfunctional relationships.

Ben Jewell has hit breaking point. His ten-year-old son Jonah has severe autism and Ben and his wife, Emma, are struggling to cope.

When Ben and Emma fake a separation - a strategic decision to further Jonah's case in an upcoming tribunal - Ben and Jonah move in with Georg, Ben's elderly father. In a small house in North London, three generations of men - one who can't talk; two who won't - are thrown together.

A powerful, emotional, but above all enjoyable read, perfect for fans of THE SHOCK OF THE FALL and THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME


Novel Gobblers Perspective

Carol's Rating:  ★★★★

His mind is like a dictionary with the pages glued together.

Shtum is a story about love and acceptance and how words can often be the least effective form of communication.

“Words become meaningless if you don’t tell your truth and they become weapons if you try to tell someone else theirs.”

The story sheds light on the complexities of raising an extremely autistic child and the fallibility of the systems intended to benefit them. It moves at a good pace and while it was predictable at times, I was continually surprised by the depth of devotion, gentleness, and wisdom expressed by some characters and the lack of it by others. I was surprised and gladdened by the growth in some characters, too.

Jem Lester’s writing is fluid and powerful as it easily carries you through heartaches, personal demons, joys, and triumphs to an ending where we learn the truths that made the characters who they are and leaves us loving them all the more.

 

happy-reading

The Little Ships

The Little Ships

The Little Ships

Alexis Carew Book 3

J.A. Sutherland

Pages: 325 / Audio: 11 hrs 44 min
Published November 8th 2015 by Createspace

Newly commissioned lieutenant, Alexis Carew is appointed into HMS Shrewsbury, a 74-gun ship of the line in New London's space navy. She expects Shrewsbury will be sent into action in the war against Hanover, but instead she finds that she and her new ship are pivotal in a Foreign Office plot to bring the star systems of the French Republic into the war and end the threat of Hanover forever.


Novel Gobblers Perspective

Carol's Rating:  ★★★★

 

Happy Reading!

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Mutineer

Mutineer

Mutineer

Alexis Carew Book 2

J.A. Sutherland

Pages: 280 / Audio: 9 hrs 56 min
Published February 14th 2015 by Createspace

Just as Midshipman Alexis Carew thinks she’s found a place in the Royal Navy, she’s transferred aboard H.M.S. Hermione. Her captain is a Tartar, free with the cat o' nine tails and who thinks girls have no place aboard ship. The other midshipmen in the berth are no better. The only advice she’s offered is to keep her head down and mouth shut – things Alexis is rarely able to do.


Novel Gobblers Perspective

Carol's Rating:  ★★★★

 

Happy Reading!

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Into The Dark

Into The Dark

Into The Dark

Alexis Carew Book 1

J.A. Sutherland

Pages: 250 / Audio: 9 hrs 25 min
Published November 1st 2014 by Createspace

At fifteen, Alexis Carew has to face an age old problem - she's a girl, and only a boy can inherit the family's vast holdings. Her options are few. She must marry and watch a stranger run the lands, or become a penniless tenant and see the lands she so dearly loves sold off. Yet there may be another option, one that involves becoming a midshipman on a shorthanded spaceship with no other women.


Novel Gobblers Perspective

Carol's Rating:  ★★★★★

So you don’t care much for Science Fiction, eh?
This series will change your mind.

Yes, that’s me. I don’t care much for Science Fiction. The robots, the metal, the darkness, the emptiness — it all leaves me cold. Until now. A friend so persistently encouraged me to read this book that I was curious to discover what his enthusiasm for it was all about.

Picture this:

Ships, captains, shipmates, sailing, naval adventures, pirates, enemies, New London, loved ones, action, drama, suspense, and a heroine - ALL SET IN DEEP SPACE.

It’s brilliant, it’s unique, it’s entertaining, and will have you rooting for Alexis in no time as she faces enemies from without and surprisingly from within.

Sutherland’s writing is smooth and adeptly blends the nostalgia of sailing ships with an imaginary yet ocasionally familiar universe. The story grabs you from the start and holds you to the end. Elizabeth Klett’s audio book narration is nothing short of spectacular and brings warmth and personality to the characters in such a way that you feel you know them personally. If you enjoy action, drama, suspense, and characters you can connect with, you’ll want to read this series.

 

Happy Reading!

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The Exploration of the Colorado River and Its Canyons

The Exploration of the Colorado River and Its Canyons

The Exploration of the Colorado River and Its Canyons

John Wesley Powell

Pages: 432 / Audio book: 8 hrs 39 mins
Published May 27th 2003 by Penguin Classics (first published 1895)

The great unknown of the Southwest is conquered by a one-armed man and his crew of adventurers, placing the Colorado River and the Grand Canyon on the map of the American continent. It is a journey no human being had ever made before. Dangerous rapids, narrow canyon walls offering no escape, terrifying river waterfalls, capsized boats, near drowning, lost equipment and disillusioned men are dramatically described by John Wesley Powell, leader of this adventurous party. Powell powerfully describes the spectacular beauty of the landscape, the fascinating lives of the indigenous people and the courageous efforts of the expedition party.

One of the great works of American exploration literature, this account of a scientific expedition forced to survive famine, attacks, mutiny, and some of the most dangerous rapids known to man remains as fresh and exciting today as it was in 1874.

The Exploration of the Colorado River and Its Canyons, recently ranked number four on Adventure magazine’s list of top 100 classics, is legendary pioneer John Wesley Powell’s first-person account of his crew’s unprecedented odyssey along the Green and Colorado Rivers and through the Grand Canyon. A bold foray into the heart of the American West’s final frontier, the expedition was achieved without benefit of modern river-running equipment, supplies, or a firm sense of the region’s perilous topography and the attitudes of the native inhabitants towards whites.


Novel Gobblers Perspective

Carol's Rating:  ★★★★★

I listened to the audio book narrated by Andre Stojka. To be honest, I expected it to be a reading of dull, dry scientific notes pulled from John Wesley Powell's log book. But instead I found it to be an absolutely enthralling experience. This may have been a result of the wonderful narrator whose voice was jovial and pleasant and as full of enthusiasm as if the words were his own. And the words! John Wesley Powell paints spectacular word pictures of the landscape, the geology, the dangers, the hardships and the joys that he and his men encountered on the expedition as well descriptions of Indian cultures, social dynamics of the clans, and re-tellings of a few Indian fables. At times I felt as though I could be sitting 'round the fire with him, completely captivated as he recounted the colorful tales of his grand adventures (and he with only one arm!).  Highly, highly recommended.

 

Happy Reading!

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The Lost Summer of Louisa May Alcott

The Lost Summer of Louisa May Alcott

The Lost Summer of Louisa May Alcott

Kelly O'Connor McNees

Pages: 343 / audiobook: 8 hrs 49 mins
Published April 1st 2010 by Penguin Adult HC/TR

In the bestselling tradition of Loving Frank and March comes a novel for anyone who loves Little Women.

A richly imagined, remarkably written story of the woman who created Little Women- and how love changed her in ways she never expected.

Deftly mixing fact and fiction, Kelly O'Connor McNees returns to the summer of 1855, when vivacious Louisa May Alcott is twenty-two and bursting to free herself from family and societal constraints and do what she loves most. Stuck in small-town New Hampshire, she meets Joseph Singer, and as she opens her heart, Louisa finds herself torn between a love that takes her by surprise and her dream of independence as a writer in Boston. The choice she must make comes with a steep price that she will pay for the rest of her life.


Novel Gobblers Perspective

Carol's Rating:  ★★★

I enjoyed learning about Louisa May Alcott's family and friends and the place she grew up. The atmosphere and story felt very much like Little Women and while McNees mixes fact with fiction, this creative story is interesting and plausible. It moves at a nice pace and Louisa's personality rings true to a spirited woman determined to live as she chooses.

 

Happy Reading!

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Mariana

Mariana

Mariana

Susanna Kearsley

Pages: 352 / Audiobook: 11 hrs 20 min
Published August 1st 1995 by Bantam Books (Mm) (first published 1994)

A haunting, paranormal romance from a Romantic Times Readers Choice and RITA Award-winning author, a New York Times and USA Today Bestselling author
When Julia Beckett moves into the beautiful old farmhouse, she soon discovers she's not alone there.

"Tread lightly, she is near."

She encounters haunting remnants of a beautiful young woman who lived and loved there centuries ago. She finds herself transported into 17th-century England, and into the world of Mariana.

Each time Julia travels back, she becomes more enthralled with the past... until she realizes Mariana's life is eclipsing her own. She must lay the past to rest or risk losing the chance for happiness in her own time.

A modern gothic historical fiction with elements of time travel, reincarnation, and romance from New York Times and USA Today bestselling author Susanna Kearsley.


Novel Gobblers Perspective

Carol's Rating:  ★★★★

"You can't cheat fate, Julia. If you don't go looking for the lessons of the past, then the past will come looking for you."

I was surprised by how much I liked this book. Though a bit slow at the start, it gradually builds into a gripping, suspenseful story set in two time periods, current-day and the mid-1700's. Yes, it's time travel, but it's so much more than that.I don't want to spoil the experience for you so I'll just say this: It's two intricately woven stories with intriguing characters and events set in a charming English village. The beautiful language, likable (and some unlikable) characters, surprising twists, and shrewd ending will leave you feeling well rewarded. I'll definitely be reading more books by this author.

Happy Reading!

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Last Days of Summer

Last Days of Summer

Last Days of Summer

Steve Kluger

368 pages
Published May 24th 2005 by Avon (first published 1998)

The hilarious and heart–warming story about a down–and–out kid who finds inspiration in his favourite baseball hero.

In Brooklyn, 1940, a wisecracking, baseball loving twelve–year–old boy, Joey Margolis, is in desperate need of a hero. His rich father has recently divorced his mother, leaving her all but penniless, and she is forced to move herself and her son to an Italian dominated part of Brooklyn, where he's the only Jew in the area. Constant abuse from other boys in the neighbourhood prompts Joey to send letters to Charlie Banks, an up–and–coming star with the New York Giants, asking for a home run so he can tell everyone that it was for him. Joey uses every trick in the book to get what he wants and the friendship that comes out of their simple correspondence will change them both forever.

This improbable friendship is woven together through letters, postcards, notes, telegrams, newspaper clippings, report cards and ticket stubs, and includes a colourful cast of supporting characters.

o The joys and sorrows growing up will always have an audience and this novel sheds light on all the complexity of those difficult times, with humour and joy.


Novel Gobblers Perspective

Carol's Rating:  ★★★★

Even though most of the characters seemed to have the same witty humor -- cheeky and irreverent but usually with good intentions -- I found this to be an amusing, nostalgic, rollicking fun story that had me laughing out and loud and a couple of times it even brought tears to my eyes. I loved the informal, unconventional format. Highly recommended if you're looking for a fast, entertaining read. 

Happy Reading!

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The Ocean at the End of the Lane

The Ocean at the End of the Lane

The Ocean at the End of the Lane

Neil Gaiman

Pages: 178 / Audiobook: 5 hrs 48 min
Published June 18th 2013 by William Morrow Books

Sussex, England. A middle-aged man returns to his childhood home to attend a funeral. Although the house he lived in is long gone, he is drawn to the farm at the end of the road, where, when he was seven, he encountered a most remarkable girl, Lettie Hempstock, and her mother and grandmother. He hasn't thought of Lettie in decades, and yet as he sits by the pond (a pond that she'd claimed was an ocean) behind the ramshackle old farmhouse, the unremembered past comes flooding back. And it is a past too strange, too frightening, too dangerous to have happened to anyone, let alone a small boy.

Forty years earlier, a man committed suicide in a stolen car at this farm at the end of the road. Like a fuse on a firework, his death lit a touchpaper and resonated in unimaginable ways. The darkness was unleashed, something scary and thoroughly incomprehensible to a little boy. And Lettie—magical, comforting, wise beyond her years—promised to protect him, no matter what.

A groundbreaking work from a master, The Ocean at the End of the Lane is told with a rare understanding of all that makes us human, and shows the power of stories to reveal and shelter us from the darkness inside and out. It is a stirring, terrifying, and elegiac fable as delicate as a butterfly's wing and as menacing as a knife in the dark.


Novel Gobblers Perspective

Carol's Rating:  ★★★★

This is a haunting, mysterious, magical story. It's short. It's creative. It packs a punch. The words flow quickly and hold your attention to the end. I enjoyed it so much that I'm hoping the author will create a sequel.

The beautiful, fluid writing is succinct yet clearly conveys the intent of the author to scare the wits out you while at the same time reassuring you with his gentle voice that the powerful, capable women will keep the boy safe, and all will be well. I loved this story and as for the audiobook, Neil Gaiman delivers a fantastic performance!

Happy Reading!

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11/22/63

11/22/63

11/22/63

Stephen King

Pages: 849 / Audio: 30 hrs 44 mins
Published November 8th 2011 by Scribner

Dallas, 11/22/63: Three shots ring out.

President John F. Kennedy is dead.

Life can turn on a dime—or stumble into the extraordinary, as it does for Jake Epping, a high school English teacher in a Maine town. While grading essays by his GED students, Jake reads a gruesome, enthralling piece penned by janitor Harry Dunning: fifty years ago, Harry somehow survived his father’s sledgehammer slaughter of his entire family. Jake is blown away...but an even more bizarre secret comes to light when Jake’s friend Al, owner of the local diner, enlists Jake to take over the mission that has become his obsession—to prevent the Kennedy assassination. How? By stepping through a portal in the diner’s storeroom, and into the era of Ike and Elvis, of big American cars, sock hops, and cigarette smoke... Finding himself in warmhearted Jodie, Texas, Jake begins a new life. But all turns in the road lead to a troubled loner named Lee Harvey Oswald. The course of history is about to be rewritten...and become heart-stoppingly suspenseful.


Novel Gobblers Perspective

Carol's Rating:  ★★★

I was completely engrossed in this story - I could not put it down! And that's saying a lot because it is a big book; 849 pages that flew by! If you're like me and have avoided Stephen King's books because they are typically full of horror, rest assured this is one is not typical. It is a fascinating story about an ordinary guy experiencing extraordinary events and trying to set things "right". It takes you along for his journeys from 2011 to the time of "ago", 1959-1963, and what happens when you try to change the "obdurate past". There were several times I thought I knew where the story would go and each time I was completely surprised by the unexpected twists. It is a fascinating, exciting, and often touching story that captivated my attention and left me completely satisfied. At the end, I especially enjoyed the author's personal notes to the reader, wherein he gives additional details of his research - which began in the 1970's!

About the Author

 

 
 
King Reveals 11/22/63

Stephen King

Source: Amazon.com

Stephen King is the author of more than fifty books, all of them worldwide bestsellers. His recent work includes Doctor Sleep and Under the Dome, now a major TV miniseries on CBS. His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller as well as the Best Hardcover Book Award from the International Thriller Writers Association. He is the recipient of the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

King was born in Portland, Maine in 1947 and grew up in Durham, Maine. He attended the University of Maine at Orono, where he wrote a weekly column for the school newspaper, The Maine Campus. He was also active in student politics, serving as a member of the Student Senate, and supporting the anti-war movement. King graduated from the University of Maine at Orono in 1970, with a B.A. in English. He married Tabitha Spruce in 1971. King sprang onto the literary scene with the publication of Carrie (Doubleday, 1974) which was later made into a movie. The success of Carrie allowed him to leave his high school teaching position and write full-time. Other bestselling novels followed including The Shining, The Stand and The Dead Zone. Stephen King is known as a prolific writer of horror, suspense, science fiction and fantasy. His books have sold more than 350 million copies worldwide and many of his literature has been adapted to the screen and television. 

A Conversation with Stephen King

Source: 112263book.com

Where were you when JFK was assassinated?

When I got the news I was in a hearse. I was a tuition kid in a little town and there was no bus service to the high school where we went. So our parents clubbed together and paid a guy who had a converted hearse, which he turned into a kind of school bus, and we went back and forth in that.

We didn’t get the news that Kennedy had been assassinated in school. But when we got into the hearse to go home, the driver, Mike, had the radio on for the first time in living memory. We heard that Kennedy had been killed. Mike, who was kind of silent, spoke up. “They’ll catch the son of a bitch who did that and somebody will kill him.” And that’s exactly what happened.

When and why did you decide to write a novel about the Kennedy assassination?

I tried to write this novel in 1973 when I was teaching high school. At that time it was called Split Track and I wrote fourteen single-spaced pages. Then I stopped. The research was daunting for someone who was working full-time at another job. Also, I understood I wasn’t ready— the scope was too big for me at that time. I put the book aside and thought someday maybe I’d go back to it.

I’m glad that I didn’t go forward with it then. In 1973 the wound was still too fresh. Now it’s going on half a century since Kennedy was assassinated. I think that’s about long enough. I recently saw Robert Redford’s film The Conspirator about the Lincoln assassination. That was a hundred fifty years ago, but it’s still kind of a shock to see the president of the United States assassinated by a lone gunman.

How does having a modern character going back in time affect the way you depict the 1950s, as opposed to simply setting a novel then?

Jake Epping, my main character, makes several different trips into the past—every trip takes him back to two minutes before noon on September 19, 1958, and every trip is a complete reset. Little by little he gets used to it, but the contrast between his twenty-first-century sensibility and the world of that late fifties and early sixties is jarring in a way that Mad Men isn’t. And sometimes it’s pretty funny, as when Jake gets caught singing a risqué Rolling Stones tune and tries to convince his girlfriend that he heard a song containing the lyrics “she tried to take me upstairs for a ride” on the radio!

We’re pretty well anchored in the present, the world that we live in as it is now—a world where there’s four-dollar-a-gallon gasoline, where men and women have a certain equality, where there’s an African American president, where we have computers. When you first go back to 1958, the trip is jarring. Yet the longer Jake stays, the more he feels at home in that particular world. Eventually, he doesn’t want to leave it. He’s gotten fond of his life at a time when you didn’t have to take your shoes off at the airport.

The act of writing is almost an act of hypnosis. You can remember things that are not immediately accessible to the conscious mind. I felt extremely challenged as I began this book. Could I really capture the sense of what it was like to live between 1958 and 1963? But writing, like anything imaginative, is an act of faith. You have to believe that those details will be there when you need them.

The more I wrote about those years, the more I remembered. I used research when I fell short but it was amazing how much came back to me—the sound coins made when you dropped them into the machine when you got on the bus; the smell of movie theaters when everybody was smoking; the dances, the teenage slang, books that were current, and the importance of the library in research. There’s a funny sequence where Jake needs to find somebody and is very frustrated; if he had his computer he could simply run a search engine and get what he needed in two or three minutes. There weren’t Jetways then; you walked out of a terminal and mounted the steps to get on a TWA plane. Now, TWA doesn’t exist anymore, but that’s the airline carrier that brought Lee Harvey Oswald back to Texas

 

When researching the music of the day, do you listen to those songs as you write?

I’ve always been a pop music fan. I have a good grasp of music between 1955 and now—it’s just one of the places where my head feels at home. It’s also one of the indicators of how American life changes and what’s going on at any particular time.

One of the epigrams for 11/22/63 is “dancing is life,” and dancing is something that has always interested me. It’s symbolic in so many ways of the courting ritual. The changes in dancing mirror the changes in the way we court and love and live over the years. I went to YouTube to watch videos of dances from the fifties and the sixties and that was an interesting thing, to watch people do the Stroll and the Madison, the Lindy Hop, Hell’s a Poppin’—fantastic stuff. I’m crazy about music and I’m crazy about dancing and some of that’s in the book.

I listen to music all the time. Not when I’m composing fresh copy, but when I’m rewriting or editing, I’ve always got it on and it’s always turned up really loud. I also have certain touchstone songs that I go back to—they drive my wife, my kids, my grandchildren crazy. I’m the sort of guy who will play Whitney Houston’s “I Will Always Love You” twenty-five times until I discover the song was written by Dolly Parton and then I listen to the Dolly Parton version forty times.

The music that made the biggest impression on me was rock ’n’ roll from the early fifties. I tried to get into the book the excitement that the kids felt to hear someone like Jerry Louis, Chuck Berry, or Little Richard. The first time you heard Little Richard your life changed. The first time I heard Freddie Cannon do “Palisades Park” I thought to myself, “This makes me feel so happy to be alive.”

 

Majestic Theatre, Dallas, TX November 10, 2011

King talks about the book, Dallas, the 1960s, the Kennedy assassination, as well as his career and politics. This is a 7 minute clip or you can watch the full interview HERE - it's great! I had no idea King was so witty and funny!

11/22/63 - Now a Hulu Original Series

Watch the official trailer for the Hulu original series 11/22/63 (premiered February 15th, 2016).

Discussion Questions

Questions from 112263Book.com

Downloadable pdf

1. Where were you when JFK was assassinated?
2. 11/22/63 is filled with historical research—it twins real events with events and characters from King’s imagination. Did you learn anything surprising about the actual events leading up to the Kennedy assassination while reading this novel?
3. Our hero Jake Epping goes on an epic journey to try to prevent Kennedy’s assassination. Why choose this watershed moment in American history rather than any other moment? Would you choose a different moment, and if so, when?
4. Many great books, TV shows and movies have investigated the idea of time travel. Do you have any particular favorite books or films that explore this?
5. When Jake lives in 1960s small town Texas, he meets some of the most important people in his life, including the lanky, lovely librarian Sadie. Why is Jake drawn to her? And why is she drawn to him? How does their relationship change over the course of the novel?
6. What is the role of romance in this book? Some reviewers of 11/22/63 cited King’s optimism about love—after reading 11/22/63, do you agree?
7. Jake (or rather George) has to spend a lot of time in Dallas, which he experiences as a malevolent place. Jodie, on the other hand, is everything idyllic small town America should be. Do you believe that certain places are evil at certain times?
8. 11/22/63 gives readers an opportunity to immerse themselves in the past, in all its casual cigarette smoking glory—the music, food, language, cars, and dancing. What are your favorite things about the 50s and 60s King creates in 11/22/63? And least favorite?
9. Do you believe in the butterfly effect/chaos theory?
10. If you could pick any other period in history that you could go back to, which would it be?
11. Conspiracy theories abound, and numerous books have been written on the subject of the Kennedy assassination. In his afterword, King concludes (as Jake does in the book) that Lee Harvey Oswald was the lone gunman, a disturbed and grandiose man who altered world history forever all on his own. Do you agree? 

 

Questions from Litlovers.com

1. How would you describe Jake Epping—what kind of man is he? How does his ex-wife see him? How do others see him. How do you see him?

2. Why does Jake agree to go back in time—what are his reasons? At this stage in your own life, would you be willing to travel back to the past? What conditions would you require to do so?

2. Why does King inject the Derry, Maine, subplot into the main plot? Is the Dunning episode necessary to the story—or does it drag down the novel's pace?

3. Describe the world of 1958 in which 2011 Jake finds himself. What is appealing about the era...and what is unappealing?

4. Once in Texas, what does Jake, now George Amberson, come to learn about Lee Harvey Oswald? What kind of character is Oswald? When Oswald arrives on the scene, why doesn't Jake/George just take him out? Why does he delay?

5. Follow-up to Question 4: What makes Jake/George (and the author) conclude that Oswald acted alone? Do you think he did? Have you done any previous reading/research that suggests Oswald was not a lone gunman? (see LitLovers review of Conspiracy by Anthony Summers.)

6. Jake/George has come to believe that life is not random:

Coincidences happen, but I’ve come to believe they are actually quite rare. Something is at work, O.K.? Somewhere in the universe (or behind it), a great machine is ticking and turning its fabulous gears.

What does Jake/George mean? Do you believe in a "great machine," an over-arching fate, or God who oversees and intervenes in our lives. Do "things happen for a reason"? What are your thoughts?

7. What is the nature of time as presented in 11/22/63? Consider the following:

    • Time doesn't want to be changed: time is "obdurate." Why?
    • Harmonies crop up, similarities in names and events. Why?
    • The butterfly effect—what is it?
    • The Yellow Card Man—is he a sentinel?
    • Time is like a string; changing events tangles the strings.

8.  Follow-up to Question 7: What does the novel, ultimately, seem to suggest about the hiuman desire to alter the past?

9. Follow-up to Questions 7 & 8: How does the novel present the notion of history? Is history shaped by individuals whose actions, discoveries, and intentions alter the course of events? Or is history created by the interconnectedness of a multitude of events, generated by forces bigger than any single individual?

10. King has a talent for taking supernatural events and locating them in everyday, mundane settings. How does he do that in 11/22/63? Does he pull it off...or does he falter?

11. 14. Why does Sadie sense that there's something odd about Jake/George? What are some of the ways that George's knowledge of the future betray him? Why does he withhold the truth from Sadie for so long? How would you react if someone told you he/she came from the future?

12. How would you classify this book? Historical fiction? Science fiction? Alternate history? Romance? Thriller? Realism? Is it suspenseful—did you find yourself rushing to turn the page? Were you expecting George to succeed—or fail—in his mission?

13. SPOILER ALERT: Talk about Jake/George's decision to return to 2011. Why does he make the choice he does? Do you wish he had chosen differently?

14. SPOILER ALERT: Talk about the dystopian world Jake returns to in 2011. What were the series of events that led up to the conditions he finds?

15. If you've read other Stephen King books, or seen the movies, how does this book compare with his others? Has he jumped his usual genre...or expanded it? Does that fact that King's normal genre is fantasy-horror make him especially equipped as an author to write a book like 11/22/63?

 

Happy Reading!

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