All The Light We Cannot See
Club Selection for March 2015
From the highly acclaimed, multiple award-winning Anthony Doerr, the beautiful, stunningly ambitious instant New York Times bestseller about a blind French girl and a German boy whose paths collide in occupied France as both try to survive the devastation of World War II.
Marie-Laure lives with her father in Paris near the Museum of Natural History, where he works as the master of its thousands of locks. When she is six, Marie-Laure goes blind and her father builds a perfect miniature of their neighborhood so she can memorize it by touch and navigate her way home. When she is twelve, the Nazis occupy Paris and father and daughter flee to the walled citadel of Saint-Malo, where Marie-Laure’s reclusive great-uncle lives in a tall house by the sea. With them they carry what might be the museum’s most valuable and dangerous jewel.
In a mining town in Germany, the orphan Werner grows up with his younger sister, enchanted by a crude radio they find. Werner becomes an expert at building and fixing these crucial new instruments, a talent that wins him a place at a brutal academy for Hitler Youth, then a special assignment to track the resistance. More and more aware of the human cost of his intelligence, Werner travels through the heart of the war and, finally, into Saint-Malo, where his story and Marie-Laure’s converge.
About the Author
Anthony Doerr was born and raised in Cleveland, Ohio. He is the author of the story collections The Shell Collector and Memory Wall, the memoir Four Seasons in Rome, and the novels About Grace and All the Light We Cannot See, which was awarded the 2015 Pulitzer Prize for fiction and the 2015 Andrew Carnegie Medal for Excellence in Fiction.
Doerr’s fiction has won four O. Henry Prizes and has been anthologized in The Best American Short Stories, The Anchor Book of New American Short Stories, and The Scribner Anthology of Contemporary Fiction. He has won the Barnes & Noble Discover Prize, the Rome Prize, the New York Public Library’s Young Lions Award, a Guggenheim Fellowship, an NEA Fellowship, the National Magazine Award for Fiction, three Pushcart Prizes, two Pacific Northwest Book Awards, three Ohioana Book Awards, the 2010 Story Prize, which is considered the most prestigious prize in the U.S. for a collection of short stories, and the Sunday Times EFGShort Story Award, which is the largest prize in the world for a single short story. In 2007, the British literary magazine Granta placed Doerr on its list of 21 Best Young American novelists.
Doerr lives in Boise, Idaho with his wife and two sons. Though he is often asked, as far as he knows he is not related to the late writer Harriet Doerr.
Interviews & Other Cool Stuff
Official Book Trailer
“It’s a reference first and foremost to all the light we literally cannot see: that is, the wavelengths of the electromagnetic spectrum that are beyond the ability of human eyes to detect (radio waves, of course, being the most relevant). It’s also a metaphorical suggestion that there are countless invisible stories still buried within World War II — that stories of ordinary children, for example, are a kind of light we do not typically see. Ultimately, the title is intended as a suggestion that we spend too much time focused on only a small slice of the spectrum of possibility.” ~ Anthony Doerr
Anthony Doerr sees the world as a scientist, but feels it as a poet. He knows about everything—radios, diamonds, mollusks, birds, flowers, locks, guns—but he also writes a line so beautiful, creates an image or scene so haunting, it makes you think forever differently about the big things—love, fear, cruelty, kindness, the countless facets of the human heart. Wildly suspenseful, structurally daring, rich in detail and soul, Doerr’s new novel is that novel, the one you savor, and ponder, and happily lose sleep over, then go around urging all your friends to read—now.
~ JR Moehringer, author of The Tender Bar
… I first encountered Doerr’s work a decade ago when I picked up a copy of The Shell Collector at a small bookstore in Seattle. I carried the book to a nearby coffee shop and spent the rainy afternoon reading it. I had recently graduated college, and I’m not sure if it was my uncertain future or the gloomy day, but this collection of stories had a profound effect on me. I found a precise kind of truth within those pages—the kind that captures human experience in only the way perfectly crafted stories can. I reveled in those wonderful sentences that afternoon, and since then I have always looked forward to reading Doerr’s work.
… All the Light We Cannot See is a book that was ten years in the making, and it is a remarkable novel, but perhaps more than anything, it has reminded me of Doerr’s extraordinary ability to bring together the elements—rhythm and imagery and tone—to somehow perfectly capture the most mysterious parts of our experience—love and fear and fate—with something so simple as a sentence. … [Read the Interview]
An Evening with Anthony Doerr
A captivating presentation by Anthony Doerr to the John Adams Institute, Amsterdam. A jewel of a speech in itself, the question and answer period with the audience contains profound depth and insight. A definite must-listen!
A Masterpiece. Tremendous. Wow. Overwhelming.
“Just a few characterizations by readers of Anthony Doerr’s All the Light We Cannot See. And the literary critics were also unanimous: Anthony Doerr has an immense talent for storytelling.
The story follows a blind precocious French girl and a scientifically minded German boy whose paths intertwine during the German occupation of France. At its core this is the story of two young, innocent children who are forced into the ugliness of war, both of them victims in some way, neither of them innocent for long. Told from their alternating points of view, building the foundation of the story brick by brick and adding layer upon layer, the writing is captivating and stays with you long after closing the book. A “hauntingly beautiful new book,” according to New York Times’ Janet Maslin.
Join us for an evening with one of America’s best storytellers.”
“Among multiple outstanding experiences at Lake Oswego Reads [Feb 12, 2015] (hosted by the amazing Lake Oswego Public Library), an unforgettable highlight was being handed a warm loaf of bread by master baker Dominique Geulin from St. Honoré Boulangerie. I carried it back home, sliced it, and look what we found inside!”
Europe circa 1930
1. The book opens with two epigraphs. How do these quotes set the scene for the rest of the book? Discuss how the radio plays a major part in the story and the time period. How do you think the impact of the radio back then compares with the impact of the Internet on today’s society?
2. The narration moves back and forth both in time and between different characters. How did this affect your reading experience? How do you think the experience would have been different if the story had been told entirely in chronological order?
3. Whose story did you enjoy the most? Was there any character you wanted more insight into?
4. When Werner and Jutta first hear the Frenchman on the radio, he concludes his broadcast by saying “Open your eyes and see what you can with them before they close forever” (pages 48–49), and Werner recalls these words throughout the book (pages 86, 264, and 409). How do you think this phrase relates to the overall message of the story? How does it relate to Madame Manec’s question: “Don’t you want to be alive before you die?” (page 270)?
5. On page 160, Marie-Laure realizes “This . . . is the basis of his fear, all fear. That a light you are powerless to stop will turn on you and usher a bullet to its mark.” How does this image constitute the most general basis of all fear? Do you agree?
6. Reread Madame Manec’s boiling frog analogy on page 284. Etienne later asks Marie-Laure, “Who was supposed to be the frog? Her? Or the Germans?” (page 328) Who did you think Madame Manec meant? Could it have been someone other than herself or the Germans? What does it say about Etienne that he doesn’t consider himself to be the frog?
7. On page 368, Werner thinks, “That is how things are . . . with everybody in this unit, in this army, in this world, they do as they’re told, they get scared, they move about with only themselves in mind. Name me someone who does not.” But in fact many of the characters show great courage and selflessness throughout the story in some way, big or small. Talk about the different ways they put themselves at risk in order to do what they think is right. What do you think were some shining moments? Who did you admire most?
8. On page 390, the author writes, “To shut your eyes is to guess nothing of blindness.” What did you learn or realize about blindness through Marie-Laure’s perspective? Do you think her being blind gave her any advantages?
9. One of Werner’s bravest moments is when he confronts von Rumpel: “All your life you wait, and then it finally comes, and are you ready?” (page 465) Have you ever had a moment like that? Were you ready? What would you say that moment is for some of the other characters?
10. Why do you think Marie-Laure gave Werner the little iron key? Why might Werner have gone back for the wooden house but left the Sea of Flames?
11. Von Rumpel seemed to believe in the power of the Sea of Flames, but was it truly a supernatural object or was it merely a gemstone at the center of coincidence? Do you think it brought any protection to Marie-Laure and/or bad luck to those she loved?